Real people communicate with extraordinarily small movements of the face and we're usually quite good at picking it up. Whatever you think will give you a particular expression, go further. Use those muscle masses to cut off parts of the eyes above and below, as well as expand to create more space, but never, ever move the eyes from their sockets unless you're trying to get a cartoonish expression. You can't change the shape of eyes, but you can lower the brows and raise the cheeks. The last thing you want is a really expressive, angry eyebrow that's not any lower on the face from a normal eyebrow. Move the muscle under the eyebrow when you move the shape of the brow. Alternate between resting and expression to get an idea of what's moving, how much it's moving, and where it's going.ĭon't only move the eyebrows. Use a mirror and model the expression you want with your own face. That's usually offered as a part of a box set, by the way. I don't think you have to obsess over those and draw them quite a bit, but looking at the underlying muscles and how they're used should inform what parts of the face you're willing to squash and what parts you're willing to stretch. Here's a plate from Heads and Hands by Loomis. Learn your face muscles, even a little bit, and they'll greatly help your understanding of what to move and when. Those basic emoji faces you, me, and everyone with access to the internet for more than ten minutes all know are actually great reference points for expressions, you just have to know how to contextualize them within anatomical reality to get believable expressions. The core, basic expressions of emoji faces are essentially what you want all the facial expressions to be. Same thing works with dropping the corners of the mouth: The corners come down a lot, the cheeks move quite a bit, and the creases under the eyes move a small amount with the lower lids moving only minimally. The idea is you want the eye, brow ridge, and eyebrow to move as one unit where the brow ridge and brow are progressively larger circles radiating out from the eye.įacial muscles move the things closer to them more and things that are further from them less, like this: |-|-|-|-|-|-| If you're going to move the corner of the lips, for example, then the cheek mass will move furthest but the creases under the eyes will also move, just not as much as the masses closest to the primary muscle movers. You can learn about it in Aaron Blaise's Creature Art Teacher class here or pick up Drawn to Life Vols 1 & 2 for instructional materials. This one's hard to explain as I've only seen it coming from Disney veterans talking about how they get believable, appealing expressions. Think of the eyes, meat of the eyebrows, and eyebrows as circles radiating out from one another. You can do a bit of squash and stretch on these areas but you should know what you're doing when you move things not meant to be moved. Bones can't move and if you try to shift things around the face that can't be shifted, like eye sockets, upper jaws, etc. Learn the underlying bone structure of the skull. Sure, here are some tips for drawing expressions:
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |